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increasing abandonment of purely street-specific fashion (such as sportswear and workwear)?the furthest corners of the world.What’s more is that the “hip-hop generation” as Kitwana describes the first generation of African-Americans to grow up in post-segregation America no longer drives the conversation around the genre Now people on every end of the socioeconomic and cultural spectrum have infused their own narratives by participating in the culture
The success of artists like Jay Z Andre 3000 (whose Benjamin Bixby line re-appropriated “prep” brands specifically for the “urban” consumer) and Pharrell (who melded hip-hop and skate culture in a way no one had before) in breaking through the glass ceiling brought two ends of thespectrum together
In fact an artist like Jay Z is a perfect reflectionof theduality of hip-hop Sometimes he raps about private planes and owning real estate most of us could only dream about but we also know he wasn’t born into those conditions So for those who cannot identify with that part of his life he can still resonate as an example of the potential to make a better future
This kind ofduality allows hip-hop to thrive in the most affluent environments and the least And artists as ambassadors of the genre carry this duality Many times it allows them to transcend traditional labels and bring togetherdemographics who would otherwise nevercome into contact
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